Description
Joseph Solman was fascinated with city life, giving rise to his famous subway paintings. In the 1960s he became fascinated with the tar carts that were seen across the city. A burner kept the tar molten and available for roof sealing, macadam road repair, and numerous other purposes.
Details
Medium:
Monotype in Colors on Japon.
Date:
1971
Signature:
Signed in pencil by the artist, en recto lower right, with date.
Edition:
Artist’s Proof. Precedes the edition of unknown size (unnumbered, printed on tan paper).
Framing:
Custom framed in a wood frame with an 8-ply mat behind 99% UV-filtering art glass using strictly conservation-grade materials.
Condition:
Excellent condition. Modest discoloration of paper from ink used in printing.
Framed Size:
18 in. (h) x 20.75 in. (w) x 0.5 in. (d)
Sheet Size:
14 in. (h) x 16 in. (w)
Window Size:
10.5 in. (h) x 14 in. (w)
Untitled Monoprint (A Derelict House)
$2,500.00
Joseph Solman (Washingtonian)
Description
Joseph Solman was fascinated with city life, giving rise to his famous subway paintings. In the 1960s he became fascinated with the tar carts that were seen across the city. A burner kept the tar molten and available for roof sealing, macadam road repair, and numerous other purposes.
Additional information
Modern Print-Makers
Details
Medium:
Monotype in Colors on Japon.
Date:
1971
Signature:
Signed in pencil by the artist, en recto lower right, with date.
Edition:
Artist’s Proof. Precedes the edition of unknown size (unnumbered, printed on tan paper).
Framing:
Custom framed in a wood frame with an 8-ply mat behind 99% UV-filtering art glass using strictly conservation-grade materials.
Condition:
Excellent condition. Modest discoloration of paper from ink used in printing.
Framed Size:
18 in. (h) x 20.75 in. (w) x 0.5 in. (d)
Sheet Size:
14 in. (h) x 16 in. (w)
Window Size:
10.5 in. (h) x 14 in. (w)
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