Karen Kunc, the Willa Cather Professor and Professor of Art at the University of Nebraska-Lincoln, looks for patterns, balance, and imbalance in sources natural and man-made.
This work, painted in 1992, is Kunc’s fanciful presentation of the meeting (collision? embracing?) of nature and architecture.
| Medium | Woodcut |
|---|---|
| Signing, Dating, and Titling | |
| Framing | |
| Condition | Fine Condition |
| Date | |
| Type | Modern Print-Makers |
Medium:
Woodcut silkscreen
Date:
1992
Signature:
Hand-signed in pencil by artist en recto in the image.
Edition:
Number 32 out of the edition of 41.
Framing:
Custom float-framed in black-painted wood (apparently Poplar) behind Plexiglass.
Condition:
Fine condition. Plexiglass is slightly scuffed.
Framed Size:
51 in. (h) x 35.5 in. (w) x 2 in. (d)
Sheet Size:
45 in. (h) x 30 in. (w)
