“I believe in repetition like a holy mantra or rosary,” neo-Expressionist painter Hunt Slonem has said. “I am slightly influenced by Pop art, like the repetition of soup cans, postage stamps and celebrities. It’s something I have been doing my whole life.”
Slonem spent his childhood in Hawaii and Nicaragua. His work often depicts the birds and other images he remembers from youth, often rendered in thick, gestural brushstrokes and arranged in a loose grid.
Slonem’s work has achieved cult status among collectors and is represented in the permanent collections of such esteemed institutions as the Metropolitan Museum of Art.
Medium:
Serigraph in multiple colors on white wove card Publisher:
H.P. Davenport Edition:
Impression 99 out of the edition of 250. Signature:
Signed by the artist in pencil, en recto lower right. Editioned, in pencil, en recto lower left. Stamped by the publisher en verso. Date:
1980 Framing:
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-blocking art glass or Plexiglas. Condition:
Excellent condition. Sheet Size:
26 in. (h) x 25 in. (w)
Three Goddesses and a Fallen God
$695.00
Slonem, Hunt (American)
Sold
Description
“I believe in repetition like a holy mantra or rosary,” neo-Expressionist painter Hunt Slonem has said. “I am slightly influenced by Pop art, like the repetition of soup cans, postage stamps and celebrities. It’s something I have been doing my whole life.”
Slonem spent his childhood in Hawaii and Nicaragua. His work often depicts the birds and other images he remembers from youth, often rendered in thick, gestural brushstrokes and arranged in a loose grid.
Slonem’s work has achieved cult status among collectors and is represented in the permanent collections of such esteemed institutions as the Metropolitan Museum of Art.
Additional information
Very Good Condition
Modern Print-Makers, Old Etchings
No Frame, Black-Stained Ash (Medium), Clear Natural Ash (Medium), Clear Natural Maple (Medium), Waxed Cherry (Medium), Waxed Mahogany (Medium), Waxed Walnut (Medium)
Details
Medium:
Serigraph in multiple colors on white wove card
Publisher:
H.P. Davenport
Edition:
Impression 99 out of the edition of 250.
Signature:
Signed by the artist in pencil, en recto lower right. Editioned, in pencil, en recto lower left. Stamped by the publisher en verso.
Date:
1980
Framing:
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-blocking art glass or Plexiglas.
Condition:
Excellent condition.
Sheet Size:
26 in. (h) x 25 in. (w)
Price & Purchase
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