An example of this work was exhibited at the Charles Marvin Fairchild Memorial Gallery at Georgetown University. Examples of this work are held in the collections of the National Gallery of Art (Access. No. 1976.30.3), the British Museum (Access. No. 1984,0331.15), and the Brooklyn Museum (Access. No. 77.63.8).
| Medium | Aquatint, Etching |
|---|---|
| Signing, Dating, and Titling | |
| Condition | Excellent Condition |
| Type | Modern Print-Makers |
Medium:
Etching, engraving, and aquatint in black on Rives BFK white wove paper
Date:
1976
Edition:
Impression numbered 10 out of the edition of 40.
Signature:
Hand-signed in pencil by the artist en recto lower right. Editioned en recto lower left. Titled en recto bottom center margin.
Printer:
This work was printed by Washingtonian artist and printmaker Michael Smallwood.
Framing:
This print has been professionally matted and framed in a fine aluminum frame with seamless welded corners of the sort invented by Robert Kulicke and made famous by their use by the Metropolitan Museum in the 1960s. Behind 99% UV-blocking art glass and framed using strictly conservation-grade materials.
Condition:
Excellent condition. Beautifully inked, crisp lines, clean, without handling marks. Printed crooked on the sheet.
Framed Size:
26 in. (h) x 21 in. (w) x 1.5 in. (d)
Plate Size:
17.5 in. (h) x 13.75 in. (w)
Literature:
Catalogue raisonné: Jacob Kainen Prints, A Retrospective, by Janet A. Flint (Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1976), Checklist No. 147.
