Description
William Hogarth etched and engraved this print on copperplate in 1764. In 1822, by Nichols and Son, Parliament Street, reprinted the work “from the Original Plates Restored by James Heath” for publication by Baldwin, Cradock & Joy, Paternoster Row. We believe that this print is from the 1822 edition.
The full title of the work is The Bathos, or Manner of Sinking, in Sublime Paintings, inscribed to the Dealers in Dark Paintings. Because that title was inadequate, Hogarth added a footnote to it: “See the manner of disgracing ye most Serious Subjects, in many celebrated Old Pictures; by introducing Low, absurd, obscene & often prophane Circumstances into them.”
In that title, we see this work—widely considered to be one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife—to be an allegory of Hogarth’s view of the state of the world at the end of his life. Indeed, we see even the Angel of Death collapsed in exhaustion after having destroyed the world. Hogarth made this work with the knowledge that his health was failing.
From the title’s footnote, we see another purpose of the work: Declaiming against the public’s continued embrace of the works of the Old Masters.
And, finally, in advertisements for this work before its publication Hogarth stated that it was intended to “serve as a Tail-Piece to all the Author’s Engraved Works, when bound up together”. Whether that explains the title appearing at the top of the page—or whether that text is meant to refer to the end of the world—is for smarter people to determine.
Product Details
Medium:
Etching and engraving on cotton cream wove paper.
Publisher:
William Hogarth
Date:
Est. 1822
Signature:
Signed in the plate.
Framing:
Custom double-matted and framed in an ornate black hardwood frame behind 99% UV-blocking art glass using strictly conservation-grade materials.
Condition:
Very good condition. Modest mat burn; brittleness.
Framed Size:
20 in. (h) x 20 in. (w) x 1.25 in.
Sheet Size:
12.75 in. (h) x 13.25 in. (w)
Bibliography:
Catalogue Raisonné: Paulson 1970.216; Paulson 1989.210; British Museum Satires 4106; Dobson and Armstrong p. 218.
The Bathos
$950.00
Nat Lowell (American, born Latvia)
Description
William Hogarth etched and engraved this print on copperplate in 1764. In 1822, by Nichols and Son, Parliament Street, reprinted the work “from the Original Plates Restored by James Heath” for publication by Baldwin, Cradock & Joy, Paternoster Row. We believe that this print is from the 1822 edition.
The full title of the work is The Bathos, or Manner of Sinking, in Sublime Paintings, inscribed to the Dealers in Dark Paintings. Because that title was inadequate, Hogarth added a footnote to it: “See the manner of disgracing ye most Serious Subjects, in many celebrated Old Pictures; by introducing Low, absurd, obscene & often prophane Circumstances into them.”
In that title, we see this work—widely considered to be one of the bleakest artworks of the 18th century because it depicts the Apocalypse without an afterlife—to be an allegory of Hogarth’s view of the state of the world at the end of his life. Indeed, we see even the Angel of Death collapsed in exhaustion after having destroyed the world. Hogarth made this work with the knowledge that his health was failing.
From the title’s footnote, we see another purpose of the work: Declaiming against the public’s continued embrace of the works of the Old Masters.
And, finally, in advertisements for this work before its publication Hogarth stated that it was intended to “serve as a Tail-Piece to all the Author’s Engraved Works, when bound up together”. Whether that explains the title appearing at the top of the page—or whether that text is meant to refer to the end of the world—is for smarter people to determine.
Additional information
Etching
1800-1850
Custom framed and matted using conservation materials
Very Good Condition
Old Etchings
Product Details
Medium:
Etching and engraving on cotton cream wove paper.
Publisher:
William Hogarth
Date:
Est. 1822
Signature:
Signed in the plate.
Framing:
Custom double-matted and framed in an ornate black hardwood frame behind 99% UV-blocking art glass using strictly conservation-grade materials.
Condition:
Very good condition. Modest mat burn; brittleness.
Framed Size:
20 in. (h) x 20 in. (w) x 1.25 in.
Sheet Size:
12.75 in. (h) x 13.25 in. (w)
Bibliography:
Catalogue Raisonné: Paulson 1970.216; Paulson 1989.210; British Museum Satires 4106; Dobson and Armstrong p. 218.
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