Robert Goodnough’s paradigmatic work is kinetic and demonstrates mastery of color (primary colors early in his career, subtle pastels later). This work renders Goodnough’s 1969 collage, part of the collection of Sydney and Frances Lewis, into a post-card, apparently (from the depth and evenness of the ink on the paper) by lithography.
Lithograph in colors on card
Signed and dated in the plate. Hand-signed in blue ink by the artist with a personal gift inscription.
Custom framed and double-matted in black-stained solid Ash behind 99% UV-filtering Art Glass. All conservation and archival materials.
Excellent condition, without damage or flaw; crisp and clear, well-inked, full margins.
20 in. (h) x 28.25 in. (h) x 1.25 in.
4.75 in. (h) x 7.375 in. (w)
From the estate of the recipient of the gift of the artist