This etching is a superb and eloquent example of Philip Evergood’s place as a social commentator. It is proves Evergood’s enduring position in art history as a leading proponent of the use of art for social commentary.
According to Lippard, it is generally unknown how many impressions of Evergood’s works were pulled. As is frequently true, Evergood’s titling was inconsistent. This work has been seen titled Woman Suffering and a different work was also titled Suffering Woman.
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-filtering art glass or Plexiglass.
Medium:
Etching on tan wove paper Date:
1929-30 Signature:
Hand-signed by the artist in pencil en recto lower right. Titled lower left. Also signed in the plate. “C.L. Imp.” blind stamp to the lower right margin. Framing:
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-filtering art glass or Plexiglass. Framed Size:
13.5 in. (h) x 12.5 in. (w) Sheet size:
9.5″ h x 11.5″ w Image Size:
6.5″ x 4.5″ w Provenance:
Apparently acquired from the artist by Brouka and Ziuta Gerst, and by descent to its most recent owner. Literature:
Catalogue raisonne: Lippard
Suffering Woman
$800.00
Philip Evergood (American)
Description
This etching is a superb and eloquent example of Philip Evergood’s place as a social commentator. It is proves Evergood’s enduring position in art history as a leading proponent of the use of art for social commentary.
According to Lippard, it is generally unknown how many impressions of Evergood’s works were pulled. As is frequently true, Evergood’s titling was inconsistent. This work has been seen titled Woman Suffering and a different work was also titled Suffering Woman.
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-filtering art glass or Plexiglass.
Additional information
Print
Custom framed and matted using conservation materials
Fine Condition
1920-1940
Modern Print-Makers, Old Etchings
No Frame, Black-Stained Ash (Small), Clear Natural Ash (Small), Clear Natural Maple (Small), Waxed Cherry (Small), Waxed Mahogany (Small), Waxed Walnut (Small)
Details
Medium:
Etching on tan wove paper
Date:
1929-30
Signature:
Hand-signed by the artist in pencil en recto lower right. Titled lower left. Also signed in the plate. “C.L. Imp.” blind stamp to the lower right margin.
Framing:
This work is unframed but professional framing is available at discounted cost with little delay. Please select from the framing options or contact us if you wish to discuss the framing of the work. We frame exclusively with conservation-grade materials and put the work behind 99% UV-filtering art glass or Plexiglass.
Framed Size:
13.5 in. (h) x 12.5 in. (w)
Sheet size:
9.5″ h x 11.5″ w
Image Size:
6.5″ x 4.5″ w
Provenance:
Apparently acquired from the artist by Brouka and Ziuta Gerst, and by descent to its most recent owner.
Literature:
Catalogue raisonne: Lippard
Price & Purchase
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