Seymour Chwast—a design legend—co-founded Push Pin Studios, where he led a revolution in graphic design in the 1960s and ’70s, producing bold, vibrant work that pushed the limits of nearly every visual medium. In 1987, Chwast partnered with Mohawk Paper Mills to create a campaign to introduce Mohawk’s new Nuance and Ultrafelt paper lines by reprinting 15 posters that Chwast designed in the 1970s and 80s.
This work, called The Butcher, from that collection, was created in 1980 for “The Butcher” for Galerie Nouvelle Observateur.
Beautifully floated on acid-free matboard behind plexi in a black-painted poplar frame. Conservation framing by one of Washington’s most prominent framers.
Please note that the photographs are marred by reflections; the ink is actually smooth and bright. The final image is a stock photo of the work.
Medium:
Offset print in full color. Paper:
Mohawk Nuance cover stock. Publisher:
Mohawk Paper Mills Date:
1987 Signature:
Signed in the image, not separately signed by the artist. Framing:
Beautifully floated on acid-free matboard behind UV-Filter Plexiglass in a black-painted poplar frame. Condition:
Fine condition, clean and unmarked, but with visible ink in the margins, an artifact from printing, which adds to the character of the work. Framed Size:
20.125 in. (h) x 16.125 in. (w) × .7 in. (d) Sheet Size:
16.5 in. (h) x 11 in. (w)
Push Pin Studios Poster
$450.00
Seymour Chwast (New York)
Sold
Description
Seymour Chwast—a design legend—co-founded Push Pin Studios, where he led a revolution in graphic design in the 1960s and ’70s, producing bold, vibrant work that pushed the limits of nearly every visual medium. In 1987, Chwast partnered with Mohawk Paper Mills to create a campaign to introduce Mohawk’s new Nuance and Ultrafelt paper lines by reprinting 15 posters that Chwast designed in the 1970s and 80s.
This work, called The Butcher, from that collection, was created in 1980 for “The Butcher” for Galerie Nouvelle Observateur.
Beautifully floated on acid-free matboard behind plexi in a black-painted poplar frame. Conservation framing by one of Washington’s most prominent framers.
Please note that the photographs are marred by reflections; the ink is actually smooth and bright. The final image is a stock photo of the work.
Additional information
Offset print
Custom framed and matted using conservation materials
Fine Condition
1980-2000
Modern Print-Makers
Details
Medium:
Offset print in full color.
Paper:
Mohawk Nuance cover stock.
Publisher:
Mohawk Paper Mills
Date:
1987
Signature:
Signed in the image, not separately signed by the artist.
Framing:
Beautifully floated on acid-free matboard behind UV-Filter Plexiglass in a black-painted poplar frame.
Condition:
Fine condition, clean and unmarked, but with visible ink in the margins, an artifact from printing, which adds to the character of the work.
Framed Size:
20.125 in. (h) x 16.125 in. (w) × .7 in. (d)
Sheet Size:
16.5 in. (h) x 11 in. (w)
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